El Petróleo al por mayor de China que no Pinta Mínimo
 
 


Titian Bacchus and Ariadne oil painting reproduction


Titian
Bacchus y Ariadne
Bacchus and Ariadne
Pintura identificación::  1676
 1523-24 Galería Nacional de Londres
1523-24 National Gallery, London

 
 
   
      


RICCI, Sebastiano Bacchus and Ariadne oil painting reproduction


RICCI, Sebastiano
Baco y Ariadne
Bacchus and Ariadne
Pintura identificación::  8924
 c. 1713 Óleo en lona, 189 x 104 cm Chiswick House, Londres
c. 1713 Oil on canvas, 189 x 104 cm Chiswick House, London

 
 
   
      


Jacopo Tintoretto Bacchus and Ariadne oil painting reproduction


Jacopo Tintoretto
Baco y Ariadne
Bacchus and Ariadne
Pintura identificación::  30515
 el Petróleo mk68 en la lona 4 9 1/2x5 3 3/4 Venecia, 1576 Italia
mk68 Oil on canvas 4' 9 1/2x5' 3 3/4" Venice, 1576 Italy

 
 
   
      


Titian Bacchus and Ariadne oil painting reproduction


Titian
Bacchus and Ariadne
Pintura identificación::  43040
 mk170 1522-1523 Oil on canvas 172.2x188.3cm

 
 
   
      


RICCI, Sebastiano Bacchus and Ariadne oil painting reproduction


RICCI, Sebastiano
Bacchus and Ariadne
Pintura identificación::  43268
 mk170 1700-1710 Oil on canvas 75.9x63.2cm

 
 
   
      


Titian bacchus and ariadne oil painting reproduction


Titian
bacchus and ariadne
Pintura identificación::  56008
 mk247 1520 to 23 ,oil on canvas,69.5x75.25 in,176.5x191 cm,national,gallery,london,uk

 
 
   
      


unknow artist Bacchus and Ariadne oil painting reproduction


unknow artist
Bacchus and Ariadne
Pintura identificación::  63552
 1520-25 Marble, height: 56 cm Kunsthistorisches Museum, Vienna In Venice, during the closing decades of the 15th century, a pure classicising style, derived from Andrea Mantegna, was introduced. Tullio Lombardo turned to classical sculpture proper for his guiding force. His portraits of young couples in high relief (the other is in the Ca' d'Oro in Venice) were inspired by antique funerary busts, but the sculptor completely rejected naturalism. The simplicity of the volumes and the sobriety of expression are set off by decorative refinements which depart from the antique schema. They include embroidered hairnets in the hair and meticulously designed sinuous locks. His Bacchus and Ariadne shows him at his most lyrical, under the influence of the Humanism at the Gonzaga court at Mantua, where he worked for Isabella d'Este in 1523 and 1527

 
 
   
      


Alessandro Turchi Bacchus and Ariadne oil painting reproduction


Alessandro Turchi
Bacchus and Ariadne
Pintura identificación::  87921
 Oil on canvas, 114,5 x 147,5 cm cjr

 
 
   
      


Giambattista Pittoni Bacchus and Ariadne oil painting reproduction


Giambattista Pittoni
Bacchus and Ariadne
Pintura identificación::  97275
 1720s Medium oil on canvas Dimensions 171 X 130 cm cyf

 
 
   
      
Giambattista Pittoni
(1687 -- 1767) was an Italian painter of the late-Baroque or Rococo period, active mainly in his native Venice. Pittoni is best known for his "grand-manner" canvases depicting religious, historical, and mythological subjects (such as Sophonisba and Polyxena). He was a co-founder of the official painter's academy in Venice (in competition to the old fraglia or painter's guild), the Accademia di Belle Arti di Venezia, and he succeeded as President (1758?C1761) his contemporary Giovanni Battista Tiepolo. Pittoni never left his native Venice, but completed commissions from German, Polish, Russian, and Austrian patrons. His mature palette was noted, as was Tiepolo's, for his lightness of tone. Besides Tiepolo, Pittoni's influences were Giovanni Battista Piazzetta, Sebastiano Ricci, and Antonio Balestra. His paintings were of a Rococo style, but later became more sedate in their approach towards Neoclassicism.
Bacchus and Ariadne
1720s Medium oil on canvas Dimensions 171 X 130 cm cyf

Related Paintings to Giambattista Pittoni :.
| The Voyage of Life:Youth (mk13) | Irma Brunner | Moonlight over Kervaudu | The Bay of Nice (mk35) | Natureza-Morta |

        
 
   
 

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